CTC Studio

Play with light, You might like it, You never know...

The Almanac - Page 3 - Histograms

Published by Hari Kumar Balasundaram under , , , , , , on 2:19 AM

A perfect exposure is the Holy Grail of every photographer. Although there are various methods and ways to understand what correct exposure is all about – The histogram today is one of the most useful ways to understand Exposure in photography.

They are an essential aid for digital SLR photographers striving to achieve consistently correct exposures in-camera and are a more accurate method of assessing exposure than looking at images you've taken on the LCD monitor. Therefore, if you are not already in the habit of regularly reviewing your image' histogram, it is time you did so


In basic terms, a histogram is a two-dimensional graph, often resembling a range of mountain peaks, which represents an image's tonal extent. Whilst, at first glance, histograms might appear quite complex and confusing, they are actually very simple to read. A histogram is a graph counting how many pixels are at each level between black and white.

· Black is on the left. White is on the right.

· The height of the graph at each point depends on how many pixels are that bright.

· Lighter images move the graph to the right. Darker ones move it to the left. Easy!!!

The histogram therefore, quite simply, shows 256 levels of light (tones) that are present in an image. The peaks indicate a large volume of pixels in a particular tone and the troughs appear where there are fewer pixels.

In effect, by simply looking at an image's histogram, a photographer can tell whether the picture is made up of predominantly light, dark or mid-tones.

So what should a histogram look like? This is a tricky one to answer. Despite what some people may say, there is no such thing as the 'perfect histogram'. It simply tells us how a picture is exposed, allowing photographers to decide whether - and how - to adjust exposure settings. However - A few points to note are:

· The vertical scale is of no real consequence (it’s just an indication of the number of pixels at any given light level).

· Low contrast images will have a very narrow histogram, whilst high contrast images will cover more of the graph.

· Techniques such as high dynamic range (HDR) photography (and tone mapping) can be used to increase the light levels captured in the image - effectively increasing the exposure latitude.

· For finer control, individual histograms may be viewed for red, green and blue colour channels or the luminosity.

This is a really great tool to have built into your camera! It lets you get a quick idea of what the exposure was like--whether it was improperly exposed, or whether your scene exceeds the dynamic range of your camera (take a shot from inside your house through a window and you'll run into this problem--too dark inside, too light outside).

The Levels and Curves tools in Photoshop allow you to manipulate your photo's histogram in your image editor. In particular, the Levels tool allows you to stretch your histogram to increase contrast and extend the dynamic range of the photo.

We shall cover the concept of the camera's limited "dynamic range", (the range that it can distinguish between dark and light areas in a frame) & "High Dynamic Range" (HDR) photography, a fun subject for another post.

Until then – Happy clicking!!!

Hari Kumar Balasundaram